Working with Land, Forest and Wildlife Management
‚Dancing Farmers, Farming Dancers‘
Understanding how the land operates by the means of dance, meditation and improvisation practices
„To become one with nature — agriculture is an occupation in which a farmer adapts himself to nature. To do that, you have to gaze at a rice plant and listen to the words from the plant.
If you understand what the rice says, you just adjust your heart to that of the rice plants and raise them. In reality, we do not have to raise them. They will grow. We just serve nature…Giving up your ego is the shortest way to unification with nature.“ – Masanobu Fukuoka
Masanobu Fukuoka is the originator of ‘Natural Farming’ – a way of farming that does not plow the earth, it does not add prepared fertilizer or compost. There is no weeding, and no pesticides or herbicides are being used.
Similarily, indigenous tribes all over the world have lived over hundreds of generations in intimate and interdependent relationships with their natural environment. They were ‚tending the wild‘.
Addressing and challenging our perception of agricultural practices and progress, these approaches point at a particular life-philosophy and surely reach way further than farming.
Practicing Zazen Meditation and using principles and exercises of partnering dance forms like Tango or Contact Improvisation we investigate the concept of ‚the other‘, as well as ‚the unfolding of the creative process‘, aiming at embodying deeper levels of ecological understanding and ecophilosophy.
Contact Improvisation is a dance practice of improvising and partnering, based on the physics of touch, balance, weight, momentum, flow and resistance.
It tunes our senses to be ready to respond in an ever-shifting dialogue of movement.
It is an endlessly variable experience suitable for all bodies and inquiring minds.
Similar principles of fine-tuned listening you find in Tango.
An ecosystem is called resilient if it is able to adapt to unforeseeable and sometimes drastic changes.
Thus to create agricultural systems and practices that are resilient and regenerative is a choice that seems to be favorable, if not mandatory in these times.
In order to do so, besides adequate knowledge and experience, the ability to listen is key.
This is where an embodied understanding of movement improvisation and meditation find their place and function.
They can make us experience and comprehend ecological principles like interdependence and interconnectivity, as well as intuitive response and adaptation to sudden disturbances.
In one or the other form, these practices have been, or still are part of daily life in various cultures we recognize as sustainable.
By expanding our understanding of what dance may be, and by transcending a human-centered perspective of being and dealing with the world, we will discover how core concepts of Zazen, and dance forms like Tango and CI relate to, and may enrichen being and collaborating with the land.
Ideally, we will come to comprehend what ‚learning to listen‘ implies, and thus allow new understanding and ways of interacting with ourselves and our so called ‚environment‘ to arise.